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Andrew R. Cohen
PRESS
A HANUKKAH CAROL - Round House Theatre
"From the moment you walk into the theatre, it’s clear the set is a true star of the production. Scenic designer Andrew Cohen... bring Round House Theatre’s signature, triple-faced rotating deck to life. It transitions seamlessly between the façade of a Brooklyn building, a family home in Long Island, and the bedroom of influencer Chava Kanipshin, complete with a ring light and that infamous YouTube award. Spiral metal staircases frame the stage, while a graphic of the Brooklyn Bridge in the background adds visual depth. The set’s fluidity and creativity elevate the production, making it one of its most memorable aspects." - Teniola Ayoola, MD Theatre Review
"It helps that the design — featuring a rotating set by Andrew Cohen, vibrant
costumes by Ivania Stack and eye-catching lighting by Max Doolittle — is top-
notch." - Thomas Floyd, the Washington Post
"Scenic Designer Andrew Cohen's glorious set rotates from Chava's bedroom to her
parents' home and elsewhere. Above is a marvelous mural of Anatevka lower
Manhattan and the Brooklyn Bridge." - Mary Lincer, Broadway World
"It helps that the design — featuring a rotating set by Andrew Cohen, vibrant
costumes by Ivania Stack and eye-catching lighting by Max Doolittle — is top-
notch." - Thomas Floyd, the Washington Post
"Scenic Designer Andrew Cohen's glorious set rotates from Chava's bedroom to her
parents' home and elsewhere. Above is a marvelous mural of Anatevka lower
Manhattan and the Brooklyn Bridge." - Mary Lincer, Broadway World
LEND ME A SOPRANO - Olney Theatre Center
“Lend Me a Soprano” does at least look awfully swell. Andrew R. Cohen’s stunner of a hotel-suite set, done up in a sumptuous cream-and-gold style that might be called late ostentatious, makes plenty of space for all the tomfoolery". – Tray Graham, the Washington Post
"Holdridge brings a breezy style to Ludwig’s revised play, keeping the action and dialogue crackling along at a brisk pace while allowing large, comedic moments to shine on the magnificent set designed by Andrew Cohen, evoking a grand hotel from the Belle Époque, filled with all the doors requisite for characters to hide in a slam for good measure." - Jeffery Walker, DC Metro Arts
"Remember that “Wow” from the introduction? That is primarily (but not only) due to this production’s design elements. Upon entering Olney’s mainstage, I was captivated by Andrew R. Cohen’s beautifully elaborate set of a 1930s upscale hotel suite. From the ornate crown molding, to the glistening chandeliers, to the lavish burgundy and gold furniture, to the grand windows with a picturesque view of the Terminal Tower, this two-room suite was the definition of opulence." - Unprofessional Opinion
"Holdridge brings a breezy style to Ludwig’s revised play, keeping the action and dialogue crackling along at a brisk pace while allowing large, comedic moments to shine on the magnificent set designed by Andrew Cohen, evoking a grand hotel from the Belle Époque, filled with all the doors requisite for characters to hide in a slam for good measure." - Jeffery Walker, DC Metro Arts
"Remember that “Wow” from the introduction? That is primarily (but not only) due to this production’s design elements. Upon entering Olney’s mainstage, I was captivated by Andrew R. Cohen’s beautifully elaborate set of a 1930s upscale hotel suite. From the ornate crown molding, to the glistening chandeliers, to the lavish burgundy and gold furniture, to the grand windows with a picturesque view of the Terminal Tower, this two-room suite was the definition of opulence." - Unprofessional Opinion
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